Frances (Frank) Payne | Little Girl Reading
Little Girl Reading | c 1930
Oil on canvas on board
30 x 23 cm
Signed lower right corner ‘Frank Payne’
Handmade gold ornate frame
$ 4,800
CHILD STUDIES.
Paintings ,by Frank Payne.
An exhibition of studies of children, by Frank Payne (Mrs. Clinton), will be opened at the Australian Fine Art Galleries today. Most of the paintings, and the best of them, are in oils, and the remainder in water-colours. The artist's work is fresh and vigorous. She has made an affectionate study of the gestures and expressions of children, and has recorded them generally in a mildly-impressionistic manner that is very pleasing. She has been more successful in those sketches in which her interest in light and atmosphere is apparent than in the more heavily-handled studies which lack of freshness and light.
Perhaps the most appealing of the paintings that are in her more attractive manner is "Morning Sunshine," with its competent treatment of light streaming into a room in which a jolly child is in bed. There is grace and a sensitive feeling for atmosphere in "Those were the Days" and "Middle Harbour," two open-air paintings of children at play. In "Tired of Posing," a lively piece of portraiture, the artist shows another side of her capabilities. Few of the paintings are portraits pure and simple They are happy
glimpses of children on the beach, in the gardens, at the dancing class, in the street, at
music practice,.in the bath In some cases "The Red Rocker" and "Nelly Bly," for example an element of humour has been introduced with agreeable effect A good proportion of the pictures In the exhibition have been lent by private owners.
Extract from the Sydney Morning Herald 8th December 1932 / Page 10
Frances Mallalieu (Frank) Payne (1885–1976)
Frances Mallalieu (Frank) Payne (1885-1976), artist and illustrator, was born on 7 May 1885 at Kangaroo Point, Brisbane, daughter of English-born parents Arthur Peel Payne, shipping clerk, and his wife Julia Finch, née Batchellor. Frank (as she was known) was educated at All Hallows' Convent and Brisbane Technical College where she trained as a portrait painter under Godfrey Rivers and learned etching and block-making. She exhibited with the Queensland Art Society. Accompanied by her mother, she sailed for England in March 1905. In Paris for nine months, she enrolled at the Académie Colarossi, then studied at the École Nationale Supérieure des Beaux-Arts. At 'La Grande Chaumière' she was taught black-and-white work by Théophile-Alexandre Steinlen. Back in London, she worked in Frank Brangwyn's studio and did her most serious study there. During the summers she travelled extensively through England (1905), Brittany, France (1906), and elsewhere on the Continent (1907).
For two and a half years Payne had written regular articles for the Brisbane Courier about her experiences. Returning to Brisbane in September 1907, she began freelance design work for the Courier and the Bulletin; she also produced commercial catalogues for Finney Isles & Co.'s department store and illustrations for the Queenslander. The Australasian Union Steam Navigation Co. sent her on cruises so that she could write and illustrate their travel brochures.
By 1916 Payne was living in Sydney. She illustrated catalogues for David Jones Ltd's and Farmer & Co. Ltd's department stores, drew covers for the Australian Woman's Mirror, and drove her own motorcar. At Neutral Bay on 24 August 1921 she married with Presbyterian forms Andrew Patrick Clinton, a 36-year-old superintendent stevedore from Ireland and a divorcee. They had two sons, but separated in 1928. Continuing to be known professionally as Frank Payne (though often referred to as Mrs A. P. Clinton), she supported herself and her children from her catalogues, magazine covers and part-time work for the Bulletin. Reputedly, she was among the nation's highest paid women.
In contact with many prominent women artists, Payne numbered among her friends Jessie Traill, Ethel Carrick Fox> and the writer Dorothea Mackellar. She promoted the careers of young artists such as Daphne Mayo and Lloyd Rees. Payne had joined the Society of Women Painters in 1919, served on the society's committees and council for many years, and, from 1921, contributed to every annual exhibition. Her oils and watercolours were frequently studies of children (including her own) in unposed settings, as well as landscape and genre paintings. Founding president (1934) of the Women's Industrial Arts Society, she was awarded King George VI's coronation medal in 1937.
Payne helped W. M. Hughes in his campaign for the House of Representatives seat of North Sydney in 1946. She continued to paint well into her later years, and held exhibitions at the Morton Galleries, Brisbane, in 1948 and the Grosvenor Galleries, Sydney, in 1952. Survived by her sons, she died on 11 July 1976 at Normanhurst and was cremated.
By Angela Philip. Australian Dictionary of Biography
