Henry Lloyd Grant | Elswick House Sydney | SOLD
Henry Grant Lloyd
A pair of Beautiful watercolours depicting the Front and back of Elswick House, Leichhardt Sydney, in January 1863
Watercolours on tinted paper (Front and Back view)
1) Front View of the House and Pond
19 x 27. 5 cm
Signed and inscribed Elswick near Sydney H.G. Lloyd jan.1863 lower right.
2) Back view of the House including the extensive lawn and servant’s quarters
19 x 27. 5 cm
Signed and inscribed Elswick Near Sydney. H.G Lloyd jan 1863 lower right.
History of Elswick House and Leichhardt.
James Norton purchased Elswick a 100-acre property on the Parramatta Rd in 1834. He developed a magnificent Old world garden, and dug a significant pond into the grounds near the house that became the life of the garden. A row of cottages was also placed behind the house and used as servant’s quarters.
One of the foundations of the development of Leichhardt as a suburb was the subdivision of the Elswick estate. It was subdivided into hundreds of blocks of land, that residential housing was developed on.
This pair of beautiful watercolours are reminiscent of the style and techniques of H.G Lloyd’s painting teacher, Conrad Martens. The works depict the front and back of Elswick House, including the significant pond that was a water source for the old-world garden. The painting depicting the back side of the House and garden, also shows the accommodation for the workers hidden between the trees off to the right.
Both works are underdrawn with pencil and are both signed, titled and dated on the lower right.
The works are in good stable condition.
SOLD
Born: 1830
Died: 1904
Henry Grant Lloyd, artist, was born on 6 January 1830 at Chester, England, son of Lieutenant Henry Lloyd, Bengal Native Infantry, and his wife Charlotte, née Williams. His father retired to Van Diemen’s Land in 1840 and bought land at New Norfolk, which he named Bryn Estyn after the family home in Wales. Henry Grant became a divinity student at Christ’s College, Bishopsbourne, Tasmania, but in 1851 Bishop Nixon decided that he was not a suitable ordinand.
In 1846-57 Lloyd sketched in Tasmania and by 1858 was painting in New South Wales. He was influenced by Conrad Martens and was probably one of his pupils. Lloyd painted sporadically in Martens’s style until the 1870s but could not subdue his own spontaneous vision. In artistic style and temperament he was perhaps closer to Samuel Elyard than to the accomplished Martens. Lloyd may also have been influenced by J. S. Prout.
Much of Lloyd’s early work is hasty and crude, with heavy over-painting and rather unpleasant colouring. In later years he sometimes used larger areas of clear wash, pale and delicate in tone, which with the white of the paper helped to achieve an air of simplicity and serenity. He also painted landscapes and rocks in deliberate contour patterns with stronger colours, but his figures and buildings are generally poor. Many of his sketches are landscapes, a number of which are of historical interest and include his lithograph ‘Hobart Town from the New Wharf’ about 1857 and his view of the Canberra plains in 1862. He was usually meticulous in giving each work a date and title; many even have compass directions.
He travelled and sketched widely in New South Wales and Queensland until 1864, Tasmania in 1872-75 and New South Wales in 1875-80. He had probably visited Britain in the 1870s for he exhibited Welsh sketches in Dunedin where he lived in 1881-99 and was a member of the Otago Art Society; he visited Australia in 1887-88. In 1900 he settled in Tasmania and died at New Norfolk on 31 May 1904.
Some 1500 of Lloyd’s sketches are in the Mitchell and Dixson Libraries, Sydney, and a collection of his work is in the Allport Library and Museum of Fine Arts, Hobart.
Extract taken from Australian Dictionary of Biography.
